Collaborating with the award-winning multi-talented visual artist and creative Director MEL HSIEH.
Using motifs that aretypicalofpatchworkfromTaiwan’sgolden90s, adding in Traditional Taiwanese calligraphy,highlightingthelocalculturesofTaiwan.MEL HSIEH reaffirms his transformative power to re-project Taiwan’s golden 90s street, Weaving its visual content with different materials. Bulk amount of collage and montage, avoiding any plans, probes courage and creative through [randomness] and[coincidental].The work also alludes to ideas of freedom,describing everyday
life, photos, symbols, advertisements and etcetera; bringing us back to the clash of culture between Japan and America. We would describe the 90s was slovenly. In
this context, slovenly is not romantic like Boho chic in the70s, but more casual and natural. Under the influence of social movements, ubiquitous education in the 80s, 90s women grew to be more open and free, this too reflects the visual culture and local practice of the time.
